{"id":268,"date":"2020-02-10T15:21:52","date_gmt":"2020-02-10T15:21:52","guid":{"rendered":"https:\/\/codesupply.co\/natoque-eget-quis-ante-nam-lorem-imperdiet\/"},"modified":"2020-02-10T15:21:52","modified_gmt":"2020-02-10T15:21:52","slug":"save-money-with-stock-plans-and-a-production-home-builder","status":"publish","type":"post","link":"https:\/\/netzero-community.com\/prueba\/save-money-with-stock-plans-and-a-production-home-builder\/","title":{"rendered":"Save Money With Stock Plans and a Production Home Builder"},"content":{"rendered":"\n

Dana describes her projects as ones that \u201creveal answers and lead to more questions.\u201d Whether something related to her own life or a more universal topic, the idea is the solve something which appears unsolvable. Take, for example, Dana\u2019s recent ongoing project called Scarf Collection. \u201cI sell the scarfs and give half of the money to a Black person or Black-led organisation,\u201d she explains. \u201cCapitalism functions in a space of scarcity, so I wanted to prove to myself that there can be enough, and giving is something that can be built into my art practice.\u201d In turn, the project questions labour, ownership, love and abundance.<\/p>\n\n\n\n

It means Dana\u2019s practice today is multifaceted, something which allows her to pull from a history of signals, references and symbols to \u201cdraw out emotions and memories we may have forgotten we had.\u201d This often sees her working with found imagery from Ebony Magazine that \u201chighlight[s] the idea of upward mobility and a growing Black middle class.\u201d By utilising a language of humour and familiarity, Dana opens up \u201ccomplex spaces of laughter and irony, while retaining an empathetic quality.\u201d All this means she can communicate elaborate concepts in understated ways, drawing viewers in before opening up to them.<\/p>\n\n\n\n

Art, and the process of making things has always been the primary way that I am able to process, and understand the world<\/p>Albert Flores<\/cite><\/blockquote>\n\n\n\n

Whatever the project, however, the exciting part for Dana is \u201cthe way I can surprise myself with a combination of colours I have never seen before but remind me of something that I miss.\u201d And this is exactly what she plans to continue doing, with plans for a group show in October and several artists residencies in the coming year. \u201cBetween now and then I am continuing to explore materials, ask questions and make scarfs,\u201d she says.<\/p>\n\n\n\n

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Pen Mendon\u00e7a: 100 Great Black Britons (Copyright \u00a9 Pen Mendon\u00e7a)<\/figcaption><\/figure>\n\n\n\n

Currently based in New York, a city she\u2019s called home since graduating from the School of Visual Arts with an MFA in fine art in 2019, Dana tells us she\u2019s simply never been interested in being anything other than an artist. \u201cArt, and the process of making things has always been the primary way that I am able to process, and understand the world,\u201d she explains. It was at SVA that her unique practice formed, as she explored \u201cdigital art, web, fashion, 3D design and printmaking on top of painting and drawing\u201d during her undergrad in graphic design.<\/p>\n\n\n\n